SKU: 58414419116
haute couture vintage dresses

haute couture vintage dresses Spring 1979 Givenchy Haute Couture Runway Black Silk Chiffon Strapless – Shrimpton Couture

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Description

haute couture vintage dresses Spring 1979 Givenchy Haute Couture Runway Black Silk Chiffon Strapless – Shrimpton CoutureThe book 'Givenchy Catwalk' says of this collection that "the new collection was heavily influenced by the fashions of the 1940s and was the height of sophistication." Several pieces walked the runway that season that had these Trompe L'oeil ribbons adorning their silk surfaces. The book notes that "the exclusive bow and ribbon prints on some day wear outfits reference the motif that had made Elsa Schiaparelli's name in 1927, but it was after dark

The book 'Givenchy Catwalk' says of this collection that "the new collection was heavily influenced by the fashions of the 1940s and was the height of sophistication." Several pieces walked the runway that season that had these Trompe L'oeil ribbons adorning their silk surfaces. The book notes that "the exclusive bow and ribbon prints on some day wear outfits reference the motif that had made Elsa Schiaparelli's name in 1927, but it was after dark that these features truly came into their own. In the evening were large ribbons tied into bows or loosely draped, decorating the bust like a tie or nipped in the skirts of extravagant colourful designs." This dress, or a very near version of it, was shown on the runway under a white jacket nipped in at the waist. We have also included a photo from the book that shows some of the other designs from that season that featured these sequin bows as well. It is a beautiful piece.

The dress is made from two layers of black silk organza topping an inner black silk lining. The bodice has been kept very simple in design so the embellishment on the skirt takes centre stage. It has boning through the bodice and the front is shaped by darting for it to fit around the bust. A little panel of the organza folds over the top edge of the neckline. On one side of the bodice the silk extends out into a panel that sits over the zipper and hooks into place on the opposite side at the back. This cleverly hides the zipper and keeps the bodice looking like it was sewn into place over you. The waist is nipped in and the skirt is softly gathered into that seam. There is some slight wear at the centre and side around the waist seam and I think that the owner of this dress probably wore this with a belt. You could easily add one of your own and it would completely cover the tiny flaws it has. The skirt falls to the floor under that and gently widens out a touch as it nears the floor. It has a bit of a light, floating feeling to it because of how he layered the organza over the interior silk. On the skirt is where we see that amazing gold sequin bow. It is made out of hand placed long gold metal strand beads, mixed with muted gold and silver sequins, with little beads in between all of that. It 'wraps' around you just above the knee and the 'bow' finishes with a flourish at the front. A slit starts just under the bottom of the 'ribbon' on one side so that when you walk you get a flash of bare leg. It is completely made by hand to Couture standards and is absolutely a beautiful thing to see in person. Excellent overall condition with a minor note below

Fully lined in a black silk. Light boning through the bodice and a wide inner waist stay hooks to close. The bodice closes with a side zipper that extends loosely down inside past the inner waist. A silk panel hooks into place over that at the back and the skirt has its own zipper at the side. Here and there at the edges of the organza there is a slight faded feel to it. There is a little bit of wear at the front waist above the seam and near the zipper at the waist seam. Please see the two photos after the label shot

Bust: 16.5" flat across from side seam to side seam
Inner waist stay: 12.5-13" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 10" from top of bodice to true inner waist
Total length: 54" from top of bodice to hem with 2.5" turned under, 25" slit from the hem up 

Modern Sizing Equivalent: XS-SML

Item# DD4870

Reference Photos: (1) Spring 1979 Givenchy Haute Couture.  /  (2) Spring 1979 Givenchy Haute Couture Looks from the book "Givenchy Catwalk: The Complete Collections" by Anders Christian Madsen.

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SKU: 58414419116

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4.3 ★★★★★
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Dan Sungail
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★★★★★ 5
It smells as good as my cologne.
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Intoxicating Smell!
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Reviewed in the United States on January 17, 2026
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Reviewed in the United States on December 19, 2025
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Imani S
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★★★★★ 5
Beyond my expectations…
Scent: Incredible 10/10. The entire shower smells like a spa afterwards. Woody notes, vanilla scent is deliciously heavy and warm, and even one pump delivers a punch of fresh vanilla scent to your entire body. I’m a woman who is in love with heavy earthy scents and this is it! P.S it also matches well with scents like vanilla, cocoa butter, chocolate, or even delicious “smore” scents! I pair it with vanilla and cocoa butter scented deodorant, vanilla perfume, or vanilla body lotion and it works amazing! Longevity: Lasts the entire day if I’m staying home just relaxing, not working out or sweating very much. I could shower in the early morning and by the time my head hits the pillow I still smell it faintly! If I’m out and about it still lasts hours I’d estimate around 6-8 hours before the scent fades! If I shower at 6am, come home at 5pm-6pm after work I still smell fresh! (I always shower 2x a day but you don’t even need to with this! Value for Money/Size: Oh absolutely! I think I bought this soap two weeks ago? Used it nearly every day, and you can’t even tell! One pump is enough, two pumps MAX per shower per day. I decided to lavish myself by buying this soap, because it’s a bit more pricey. But it’s actually saving me more money, at this rate I’ll be buying another one of these every 3 months! So that’s…4 times a year? 5 max? That’s incredible. I’ll probably stick with Cremo for life honestly. And I’m a woman!💕🎀
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