SKU: 891567913
midi dresses for weddings

midi dresses for weddings Wedding Dresses Inspired by Mexico

Sale price$20.71 Regular price$23.01
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Description

midi dresses for weddings Wedding Dresses Inspired by MexicoMade to Order Ships in 3 4 Months A celebration of color, culture, and craftsmanship, this midi length bridal gown is inspired by the vibrant palette and floral storytelling traditions of Mexico. Crafted from soft sheen satin, the gown features a structured sweetheart neckline with a distinctive U shaped front that flatters the bust. Internal edging adds support, while a lace up back with a flowing chiffon sash offers an adjustable, elegant fit. The A

Made-to-Order | Ships in 3-4 Months

A celebration of color, culture, and craftsmanship, this midi-length bridal gown is inspired by the vibrant palette and floral storytelling traditions of Mexico.

Crafted from soft-sheen satin, the gown features a structured sweetheart neckline with a distinctive U-shaped front that flatters the bust. Internal edging adds support, while a lace-up back with a flowing chiffon sash offers an adjustable, elegant fit.

The A-line skirt falls gracefully to midi length, finished with semicircular lace hems and a flared silhouette. Crinoline adds subtle volume and ease of movement. From bust to waist, a cascade of colorful floral embroidery—machine-stitched and hand-finished—adds rich texture, depth, and artisanal detail.

Perfect for brides seeking a shorter silhouette that doesn’t sacrifice artistry or tradition, this gown blends timeless craftsmanship with bold expression for a look that’s both modern and deeply rooted in heritage.

FINAL SALE: This custom design is non-returnable and non-exchangeable.

Details
  • Base Color: Ivory
  • Material: Satin fabric base with industrial floral embroidery, hand-finished
  • Bodice: Sweetheart neckline with U-shaped front and floral lace trim
  • Silhouette: Midi-length A-line skirt with semicircular lace hems and floral lace trim
  • Artisan Technique: Industrial embroidered flowers, individually hand-stitched for added texture and detail
  • Production Time: Made-to-order; production takes approximately 3 months
  • Unique Variations: Due to the artisanal process, each dress is one-of-a-kind. Embroidery placement, brush strokes, and painted details may vary—enhancing the individuality and charm of your piece.
  • Care Instructions: This piece is designed for special occasions such as weddings, galas, or formal events. Please handle with care to preserve the delicate hand-painted and hand-embellished details. Spot cleaning or professional dry cleaning is recommended.

Final Sale Policy: As a custom-made, made-to-order garment, this dress is FINAL SALE and not eligible for returns or exchanges. If you have questions before placing your order, we encourage you to reach out.

NOTE: Designed for formal or gala occasions, these handmade artisanal pieces are tailored to enhance every moment of your special occasion. It's important to note the delicate craftsmanship of these garments, as each piece is meticulously crafted with care and precision. While they are meant to be worn and cherished during your event, it's advisable to handle them with the utmost care to preserve their beauty and integrity. Whether dancing on the dance floor or making a grand entrance, these exquisite garments are sure to leave a lasting impression!

What to Expect

We understand that ordering such a crucial component of your special day online can be nerve-wracking. However, rest assured, we'll be with you every step of the way. Once you've placed your order, here's what you can expect next:

  1. Place the order for a dress without the need to specify the size. This design is offered in the following sizes: XS-4XL
  2. Our team will reach out via email within 3 business days after your order is placed, providing you with a detailed measurement form to complete. This form assists the Nayibi design team in gathering precise sizing information. If extensive custom work is needed there will be additional fees and those will be determined at the discretion of the designer.
  3. When your measurements have been received they will be immediately submitted to the Nayibi team and production will begin.
  4. We'll keep you updated on the progress and production of your piece as you patiently await its completion. Should you have any questions or concerns throughout the process, please feel free to reach out to us at any time.
  5. Once your item is complete, it will be promptly shipped to you, and you will receive automatic email notifications with tracking details to keep you informed every step of the way.
  6. Upon receiving your order, you'll have 24 hours to carefully inspect your garment: zippers, embellishments, and other details, as well as try on the dress. In the unlikely event that a defect is discovered during this period, rest assured it will be promptly repaired at no additional cost. At Nayibi Mexico, each dress undergoes thorough inspection before shipment to mitigate such occurrences. To adhere to our policy, any defects must be reported within 24 hours of delivery.

PLEASE NOTE: This is a custom-made dress and is FINAL SALE. We will work with you on any questions about sizing and measurements, we will not be able to make any adjustments once your final measurements are submitted to produce your dress.

Production Timeline & Rush Orders

Please note: Production and delivery of this piece may take 3-4 months due to its intricate craftsmanship.

If your event is within 2 months, expedited service may be available for a $200 fee (subject to availability). Immediate notice is required.

For inquiries, please reach out via our contact form or email us at [email protected].

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 891567913

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4.6 ★★★★★
Based on 26 reviews
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Product Reviews
D
Verified Purchase
Diana D
Grantham, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Lexington, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Belleville, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Grantham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Waukegan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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